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November 11, 2008  |   A Penton Media Publication  |     
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Table Of Contents
Politics in High Def
German Camera Productions
Canon HD-EC Cine-style Lenses and ACV-235 Anamorphic Converter Enables Shooting in 2.35:1
Recast Digital Launches HD Showcase for Next Generation of Web Video
XL Video's First HD Tour with Queen and Paul Rodgers


Up Front

Politics in High Def
“Every town has its industry, and you have television people to support that,” says Jef Huey, senior editor at Henninger Media Services, “and obviously the industry of Washington is politics.” Therefore, politics in one form or another drives the video industry in Washington, D.C.—advertisements being one of the largest areas. The District of Columbia has the largest concentration of firms that do political consultancy, and they mostly make political commercials to support their candidates. While some have inhouse facilities, many of the larger consultancy groups use out-of-house facilities such as Henninger Media in order to keep up with the volume of ads they run.

While the main industry of Washington is politics, there are other things as well: The Discovery Channel and National Geographic both have locations in the city, and Henninger actually has a second facility that's located across the street from National Geographic. So the big challenge for the folks at Henninger during the political ad crunch time is to continue to serve these other clients as they have deadlines for their projects as well. more>>

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HD Cinematographers

German Camera Productions
German Camera Productions is a full-service, award-winning independent production company that has been making documentaries about social and environmental issues since 1998. The company specializes in telling American and Asian stories to a worldwide audience on a relatively low budget using HD technology. German Camera Productions' clients include the National Geographic Channel and Discovery Channel. Watch this reel>>

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Didn't have a chance to attend one of our Webcasts? No problem. Visit the Digital Content Producer Webcast Series archive at digitalcontentproducer.com/webcasts. Listen to past events and download the post-event Q&A sessions in one convenient location, www.digitalcontentproducer.com/webcasts.





Product News

Canon HD-EC Cine-style Lenses and ACV-235 Anamorphic Converter Enables Shooting in 2.35:1
Canon HD Electronic Cinematography Innovation Enables Director to Shoot a Digital Movie in Widescreen 2.35:1 Aspect Ratio With Canon’s 2/3-Inch Cine Prime Lens Series
Independent filmmaking is all about the realization of the director’s artistic vision. One of the latest digital indie filmmakers to have his cinematic visions fully realized is Roberto Santucci, director of the new Brazilian movie Riding High (Alucinados). Essential to capturing Santucci’s images was his use of lenses from the broadcast and communications division of Canon. These included Canon 2/3in. HD-EC (High Definition Electronic Cinematography) prime lenses, the Canon wide-angle HJ11ex4.7B IRSE portable zoom lens, and the Canon ACV-235 Anamorphic Converter, which provides a unique optical solution for very wide aspect ratio (2.35:1) image capture. more>>


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Industry News

Recast Digital Launches HD Showcase for Next Generation of Web Video
London, November 5, 2008 - New technology launched today is set to pull the world of online media into sharper focus. New kid on the block Recast Digital has developed a proprietary method of optimizing the playback performance of high-definition (HD) video within Flash, removing the viewer’s need for specialist software installations or increasingly powerful computers. Utilizing the ubiquitous Flash Player, supporting full DVD quality and high-definition video material, Recast’s technology will open up new opportunities for delivering video over the internet and portable media such as flash memory drives. more>>



In Depth

XL Video's First HD Tour with Queen and Paul Rodgers
XL Video UK is supplying video equipment production and crew for the Queen & Paul Rodgers tour. The tour is project-managed for XL by Phil Mercer, who says, “This is the first tour for us that has taken a high-definition camera/PPU/recording package for its duration, and so it’s a significant milestone for everybody involved.” The show’s visuality is clearly defined by an 85-square-meter upstage screen, made up from a total of 2,500 Barco O-Lite 612 blocks in asymmetrically populated panels with a solid block of O-lite in the centre, giving 1278x396 pixels across the whole surface. The screen was designed by Mark Fisher. It weighs 7 tons, splits horizontally via a 24-way Kinesys automation system, and also contains 304 ACL bulbs. more>>


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