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November 25, 2008  |   A Penton Media Publication  |     
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Table Of Contents
Podcast: Digital 3D Pioneer Vince Pace on Final Destination 4 in 3D
Sony PMW-EX3
Nino Del Padre
TV Magic Vendor Demo Day
Top Facilities Report
Panasonic Announces the AG-HPG20 P2 HD Portable Recorder
Canon HD Lenses Deliver Production Value for Mini-series


Up Front

Podcast: Digital 3D Pioneer Vince Pace on Final Destination 4 in 3D
In August of 2009, a new film called Final Destination 4 will debut—a 3D sequel to the ongoing horror franchise. The movie was shot by DP Glen MacPherson's team using Pace/Cameron Fusion HD camera rigs outfitted with Sony F23 cameras. That configuration has been growing in popularity across the industry in recent months since it was developed by digital 3D pioneer Vince Pace in collaboration with director James Cameron. What makes its use on Final Destination 4 particularly interesting is that the film was essentially shot on location, run-and-gun style, rather than on a strictly controlled bluescreen or greenscreen stage.

Millimeter senior editor Michael Goldman recently chatted with Vince Pace about how the technology was applied to this project, and where 3D digital filmmaking is going next across the industry. Here is the first part of their conversation. Look for part two in the next issue of HD Focus. more>>



Review

Sony PMW-EX3
On first sighting Sony's PMW-EX3 last April at NAB, I blogged, “How could there be an EX3 when the PMW-EX1 debuted only a few months ago?” I called it an EX1 with interchangeable lenses and noted the “weird, oversized viewfinder cobbled together from the EX1's flip-out LCD and a sizable arrangement of viewing optics.” In my NAB wrap-up for this magazine, I dubbed it a “platypus,” that chimerical egg-laying mammal with the bill of a duck and tail of a beaver.

Those comments stand. It's virtually unprecedented for a manufacturer to release a follow-up product hard on the heels of the original, which highlights the fact that the EX3, despite a successive product number, is not a successor to the EX1 but rather its matched complement. In fact, had they been introduced in reverse order, this review might instead be touting the just-released EX1 as a compact, stripped-down version of the EX3 welcomed especially by documentary makers and those who slide slim camcorder cases into overhead bins while flying. more>>

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HD Cinematographers

Nino Del Padre
Nino Del Padre heads Del Padre Digital, a progressive new media production house that offers a wide variety of design and production solutions, from interactive media and flash to ultra high-definition 4K video production to 3D animation product-rendering. He started the company back in 1991 out of a closet, but it now houses a whole team of creative professionals who seize upon the newest technologies that digital media has to offer in order to better serve their clients. more>>

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Calendar

TV Magic Vendor Demo Day
When: Dec. 4
Where: Los Angeles, Calif.
Broadcast-systems integrator TV Magic is hosting a vendor demo day Thursday, Dec. 4, with featured presenters from Miranda, Hitachi, Stantron, and APC. Companies will discuss their new and existing product lines, including digital production HDTV cameras, 3Gbps/HD/SD video and audio processors, HD/SD graphics processors, and power-distribution and sequencing systems. They will also offer product demonstrations and provide attendees with the opportunity for hands-on product use. more>>




Extras

Top Facilities Report
Digital Content Producer and Reel-Exchange.com present a directory of top postproduction and visual effects facilities including The Mill, Phoenix Editorial and Design, SWAY, rhinofx, !mpossible Pictures, National Ministry of Design, Frantic Films, and many more across the U.S. and the globe. To view the report, click here.



Product News

Panasonic Announces the AG-HPG20 P2 HD Portable Recorder
Panasonic introduced the solid-state AG-HPG20 P2 portable recorder/player with AVC-Intra recording capabilities at the DV Expo conference. Supporting the 10-bit AVC-Intra codec as well as formats ranging from DVCPRO HD to DV, the P2 Portable will serve as a master quality deck for fast, file-based recording—bridging content to and from older tape based systems and HD-SDI infrastructures.

With 10-bit AVC-Intra compatibility, the HPG20 P2 brings master-quality recording—formerly only available in higher cost, full sized decks—to the field. This extraordinary workflow tool allows users to playback and review P2 cards on its 3.5in. LCD screen, manage clip files and metadata, record content from a wide range of cameras via its HD-SDI input, and backup data onto hard disk drives. more>>



Industry News

Canon HD Lenses Deliver Production Value for Mini-series
The creation of high-quality television programming requires top talent and the best production technology available to achieve the director’s creative vision. For MegaFilms (the filmed entertainment division of the Spanish Broadcasting System), this meant shooting its acclaimed 12-hour miniseries Gabriel with a full set of six High-definition Electronic Cinematography (HD-EC) prime lenses and an HJ8×5.5B KLL-SC cine-zoom lens from the Broadcast and Communications division of Canon, a leader in digital imaging. more>>



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