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February 10, 2009  |   A Penton Media Publication  |     
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Streaming for Video Pros: Producing streaming video with Final Cut Pro and Compressor
Apple Final Cut Studio is an outstanding video editor, and Compressor is highly capable, but inter-program workflows can be confusing to say the least. For example, which of the program’s de-interlacing settings (there are at least three between Final Cut Pro and Compressor) produces the best quality? Listen to the archived webcast today.


Table Of Contents
The Avid/Red Postproduction Workflow for The Tracey Ullman Show
German Camera Production
Streaming for Video Pros: Producing Streaming Video with Final Cut Pro and Compressor
Abundant Living Faith Center Adds Fujinon HD Lenses to Newly Constructed Facility
Mammoth HD Footage Library expands the MHD/Red Library (Shot on Red)
Sony CineAlta Cameras Take Center Stage on Hollywood's Major Cinema and Television Projects

Up Front

The Avid/Red Postproduction Workflow for The Tracey Ullman Show
In this issue of HD Focus, we get an overview of the postproduction workflow used on The Tracey Ullman Show, which is in its second season on Showtime. The creative team just went to a Red Digital Cinema Red One digital acquisition system and now shoots 4K—the postproduction is handled via an Avid DS Nitris system. For insight on the new workflow, millimeter Senior Digital Media Editor Craig Erpelding speaks with Editor Guillaume Aubuchon, who works on the postproduction team for The Tracey Ullman Show. Listen to the podcast>>


HD Cinematographers

German Camera Production
German Camera Productions is a full-service award-winning independent production company that has been making documentaries about social and environmental issues since 1998. We specialize in telling American and Asian stories to a worldwide audience on a relatively low budget using HD technology. Clients include National Geographic Channel and Discovery Channel. View German Camera Production's Reel-Exchange Profile>>

ADVERTISEMENT


Your Work. A BIG Industry Stage. Make Your Impression.
Have your demo reel and project work shown on a 35 ft. movie screen at broadcasting and film’s biggest trade event--the 2009 NAB Show. Four REEL IMPRESSIONS showcases (Cinematography, Editing/Visual Effects, Animation, and Student Work) will be projected HD in a 300 seat theater right inside the Las Vegas Convention Center. Your name in lights--thousands of attendees. Entry Deadline: Feb 27, 2008. Enter Now!
For more information visit digitalcontentproducer.com/reel-impressions or email support@reel-exchange.com.


Featured Forum Discussion

Streaming for Video Pros: Producing Streaming Video with Final Cut Pro and Compressor
Looking for answers to your streaming questions? From de-interlacing to scaling, continue this discussion and others Digital Content Producer's and millimeter's Crosstalk forums.


In Depth

Abundant Living Faith Center Adds Fujinon HD Lenses to Newly Constructed Facility
Abundant Living Faith Center, in El Paso, Texas, recently completed construction on its main auditorium, doubling its capacity to seat 3,620 members. As part of this upgrade, three Fujinon HA 18X7.6ERM-M premier series ENG HD lenses with 2X extender and Digi-Power servo mounted on Thomson Grass Valley DMC 1000 cameras have been installed. more>>

Mammoth HD Footage Library expands the MHD/Red Library (Shot on Red)
New additions include open heart surgery (valve replacement surgery), ocean life/underwater footage from Mexico and POV driving through the streets and highways of Chicago. The next addition will be China in 4K. The Mammoth HD Library now feature more than 725 collections and more than 350 hours of single-clip material—including Red 4K/3K/2K and vertical HD for digital signage and display. more>>

Sony CineAlta Cameras Take Center Stage on Hollywood's Major Cinema and Television Projects
With its film-style ergonomics and broad dynamic range, Sony’s F23 digital cinematography camera was the production tool of choice for many high-profile motion picture and television projects in 2008, with that trend continuing into 2009. The camera was used to shoot several upcoming productions—including Tekken, Public Enemies, and Final Destination 4, as well as many of 2008’s box-office successes such as Cloverfield, Quarantine, and Speed Racer. more>>


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