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March 10, 2009  |   A Penton Media Publication  |     
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Streaming for Video Pros: Producing streaming video with Final Cut Pro and Compressor
Apple Final Cut Studio is an outstanding video editor, and Compressor is highly capable, but inter-program workflows can be confusing to say the least. For example, which of the program’s de-interlacing settings (there are at least three between Final Cut Pro and Compressor) produces the best quality? Listen to the archived webcast today.


Table Of Contents
First Look at the Avid Media Access Workflow for XDCAM HD Footage
Focusing Point Projects
Streaming for Video Pros: Producing Streaming Video with Final Cut Pro and Compressor
Mammoth HD Presents the MHD 2009 Red Reel
TV2GO Implements the Fujitsu IP-9500e Encoder to Transmit High-Quality HD Coverage of Junior World Hockey Championships to Europe

Up Front

First Look at the Avid Media Access Workflow for XDCAM HD Footage
In this issue of HD Focus, Craig Erpelding, Senior Digital Media Editor for millimeter magazine, talks with Mark Miller of Miller HD—a Vancouver-based production company which produces work for the Discovery Channel—regarding his beta testing of Avid’s latest version of Media Composer, 3.5, announced March 2, 2009. Miller discusses the new editing capabilities available in this version, highlighting the new Avid Media Access (AMA) architecture which provides workflow efficiency on XDCAM- and P2-based workflows. He also touches on the new color correcting tools within Media Composer 3.5. Listen to the conversation.


HD Cinematographers

Focusing Point Projects
Focusing Point Projects is a boutique LA production company specializing in television, sports, music, short films, and original web content. The company also shoots, edits, and rents camera equipment for various projects. Jake Oelman/Focusing Point Projects edit reel for 2009 features spots from K-Ville, Star Trek Tech, Aesthetics Skateboards, Globe Shoes, Burton Snowboards, Guess Jeans, Lucky Jeans, Henry Rollins, Velvet Revolver, The Breeders, Fuel TV, and much more. View Focusing Point Projects' Reel-Exchange Profile>>


Featured Forum Discussion

Streaming for Video Pros: Producing Streaming Video with Final Cut Pro and Compressor
Looking for answers to your streaming questions? From de-interlacing to scaling, continue this discussion and others Digital Content Producer's and millimeter's Crosstalk forums.


In Depth

Mammoth HD Presents the MHD 2009 Red Reel
Aerials, underwater, wildlife, China, open heart surgery, locations, scenics, sports, and more. The Mammoth HD Red Libraries footage acquired on Red cameras in 4K, 3K, and 2K is available for delivery in HD1080, HD720, 2K, and 4K. The MHD/Red Library covers a wide range on subjects from national parks and world locations to aerials, cities, and lifestyle—and for the digital signage/display industry vertical HD footage. The Mammoth HD Library now feature over 760 collections and over 360 hours of single-clip material - including Red 4K/3K/2K and vertical HD for digital signage and display. more>>

TV2GO Implements the Fujitsu IP-9500e Encoder to Transmit High-Quality HD Coverage of Junior World Hockey Championships to Europe
TV2GO, Canada’s HD satellite transmission provider, used the Fujitsu IP-9500e MPEG-4 AVC codec during its broadcast of the World Junior Hockey Championships in Ottawa to uplink high-definition signals to Sweden and other countries in Europe. The Fujitsu IP-9500 helped TV2GO to provide multiple broadcast stations throughout Europe with a low-latency MPEG-4 feed that also met their stringent picture quality requirements. more>>


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