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As you know, the topic of this column is Final Cut Pro
Insider, but every once in a while, I stretch the envelope and go off on
a slight tangent. This month is one of those times, where I’m going to
look at the video recording capabilities of my new iPod touch and video
editing on the iPod with iMovie. |
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The portable tapeless device records native Apple ProRes 422
QuickTime media, which editors can access directly in their Apple Final
Cut Pro or Avid Media Composer systems. |
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The center's technical director uses the Slate 5000 to
switch between three Hitachi triax cameras, two truck feeds, an Apple
Final Cut Pro system for in-game highlights and two slow-motion
feeds. |
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The facility employs Apple’s Final Cut Server for asset
management, and ToolsOnAir’s Broadcast Suite for software control to
streamline operations and facilitate
workflow. |
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Tapped to lend their expertise to some of the world’s most
well-known brands, such as Kellogg’s, Kraft and Nintendo, Mode Project
recently installed an Ethernet-based shared storage solution from Small
Tree to improve its workflow. The company also features six dual-purpose
editing and design workstations consisting of Apple Power Macs and iMacs
running Apple Final Cut Pro, Adobe Creative Suite and Autodesk
Maya. |
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