A Primedia Property
March 23, 2005





Table of Contents
Welcome to the latest blast from The Sampler!
Robot City: Everyday Sounds into SFX
SmartSound Turns 10 (And It's Still Growing)
An SFX History Detour: You Don't Know Jack!
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What's New
Welcome to the latest blast from The Sampler!

We've got an interesting potpourri for you this time around. First up is an exclusive look at the sound effects design for the hit film Robots, including some techniques any sound studio can emulate. Then we check in with the good people at SmartSound for a glimpse of their revolutionary soundtrack creation software. Finally, our ongoing series on the history of SFX takes a detour to introduce you to a very special figure.

As always, we welcome your comments and suggestions. You can find me electronically at blair@blairjackson.com. Or, you can call me on the Left Coast: (510) 465-0494.
--Blair Jackson, editor/writer/Grand Poobah



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Hollywood Inspiration
Robot City: Everyday Sounds into SFX

I took my wife and kids (a teen and a 'tween) to see the hit animated film Robots the other night and we all came away very impressed. The look of the movie—an intricate sort of retro-future world of robots, with nary a human in sight—is unlike anything you've ever seen before, and it's certainly on a creative par with Finding Nemo, Shark Tale, or any of the other modern milestones of computer animation. It's got a funny and surprisingly sophisticated script, and the voice characterizations, by everyone from Robin Williams to Greg Kinnear, Mel Brooks, and teen comedian Amanda Bynes, are outstanding. Robots is also a sound effects extravaganza, as you might expect. I was sufficiently impressed by the sonic world in the film that I called up sound designer and supervising sound editor Sean Garnhart to find out a bit about the SFX job. To read the rest of this article, click here.



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Inside Info
SmartSound Turns 10 (And It's Still Growing)

We often talk about the importance of finding a niche in the highly competitive world of production music libraries. Well, SmartSound created its own niche by being the only company of its kind to offer a patented automatic soundtrack creation software. You see, not only does the Northridge, Calif., company offer many different styles and categories of production music, with titles such as Electronic Frontiers, Classical Masters, Power Surge, Nu Metal/Extreme, and American Spirit, but its Sonicfire Pro software allows users to create soundtrack elements of different lengths without complex editing. To read the rest of this article, click here.



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A History of SFX
An SFX History Detour: You Don't Know Jack!

No, that headline isn't an insult. I know that you've all been paying rapt attention to our micro-history of SFX, and that if I suddenly sprang a quiz on you, you'd all pass with flying colors—or at the very least hack into my computer system for the answers. Rather, the headline above is yet another feeble joke, this time relating to one of the most important names in SFX history, Jack Foley. Yes, he is the man whose name became synonymous with film sound effects and whose moniker is occasionally joined descriptively with words such as "pit," "stage," "walker," and "editor." But do you know who Jack Foley was? I didn't think so. To read the rest of this article, click here.



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Music Library & Sound Effects Database
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