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September 28, 2005  |   A PRIMEDIA Property  |     

Spectrasonics: Cutting-Edge Virtual Instruments and Sample Libraries
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What's New

So, are you going to make it to AES in New York in a couple of weeks? Should be a pretty good show for those of you who are audio pros; though, as usual, there will be few library companies making the scene. Still, there are always plenty of products that affect most library businesses—whether it's recording equipment, music, or business software. Early October in New York is usually a fantastic time, weather-wise. And if you're into baseball, the hated/beloved Yankees will likely be in town battling through the playoffs—unless they don't make it, in which case you want to steer clear of wherever team owner George Steinbrenner is hanging out. If they do make it, though, getting tickets and then blowing off the dinner with the Sony rep with some lame excuse will offer you two very big challenges. A third would be getting ducats for the Monty Python Broadway musical, Spamalot—also better, if not cheaper, than a business dinner. We wish you luck!

Also, I was looking through some back issues of The Sampler the other night and realized that it's been a while since we've talked about production music companies/news here. No slight was intended; we just got carried away talking about effects libraries, and the sample libraries. Rest assured, we will return to that popular topic very soon!

In the meantime, I think you'll enjoy this interview with Spectrasonics founder Eric Persing—a good guy who does great work! And you can hip me to your latest happenings by writing to blair@blairjackson.com.



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Inside Info

Spectrasonics: Cutting-Edge Virtual Instruments and Sample Libraries
You can listen to industry buzz to find out what's hot, but that will take you only so far. I became intrigued by Spectrasonics' product lines because in my capacity as a writer for Mix and Millimeter, I kept interviewing musicians who used Spectrosonics' "virtual instruments," such as Atmosphere and Trilogy, and media producers who liked its diverse sample libraries, which include such popular titles as Liquid Grooves, Vocal Planet, Bass Legends (which features Marcus Miller, Abraham Laboriel, and John Patitucci), Bizarre Guitars, Heart of Africa, and two volumes of Hans Zimmer Guitars.

For the past several years, the company has been less interested in creating new libraries than in giving musicians and producers greater control over existing ones, and in creating its own virtual instruments. Groove Control, which was developed along with Spectrasonics' U.S. distributor, Ilio Entertainment (see the September 14, 2005, Sampler) and debuted in 1999, gave users complete control over elements of tempo, pitch, pattern, and feel on certain Spectrasonics sample libraries. Then, three years ago, it introduced the first of its software-based virtual instruments. The aforementioned Atmosphere, for example, has a 3GB core library of more than 1,000 sound patches that can be mixed and matched into more than one million combinations. It's a native plug-in for Digidesign Pro Tools, Motu Digital Performer, Apple Logic, and Steinberg Cubase and Nuendo. more >>



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