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  A Penton Property   January 27, 2009 SUBSCRIBE   : UNSUBSCRIBE   : PREFERENCES

Table Of Contents
Check out the Site!
Show Wrap-Ups
Audio-Technica ATH-M35
McDSP Retro Pack
BeatleTech Now Live
Missed the Show?
Check out the Site!
Welcome to EM, Mix and Remix magazines' Winter NAMM exclusive site. We've packed in all of our trade show coverage—including more than 40 videos—in one easy-to-find spot. Check out emusician.com/ms/namm!
Editors' First Take
Show Wrap-Ups
This year’s Winter NAMM show was one of my favorites in the 12 years I’ve been attending. Despite overall economic woes, the mood was decisively upbeat, and the number of new products was staggering. Among this year’s trends was an interest in groove-box products (as indicated by MOTU’s BPM and Native Instruments’ Maschine annoucements) as well as the move towards customization (Sennheiser’s and Heil’s stage microphones) and additional color choices (a number of Korg keyboards and controllers are shown in snazzy new colors). There was also an emphasis on hardware signal processing, with MOTU’s Volta software creating the most buzz at the show. Volta is a plug-in that allows you to send control voltages from any DC-coupled audio interface to an appropriate hardware synth or effect. By routing the audio signal back into your DAW, Volta will modify the outgoing CVs to correct the pitch of your oscillators, for example, should they change slightly. As much of a niche product as that seems to some, I heard a number of engineers from other hardware and software companies talking excitedly about Volta.
—Gino Robair, EM

For the electronic and hip-hop music producers, performers and DJs, NAMM 2009 saw an inordinate amount of "now shipping" announcements for gear that was previewed early in 2008 and then hotly awaited ever since. That was especially the case for DJs and laptop performers, as the Numark NS7 Serato Itch controller and Vestax VCM-600 Ableton Live controller are finally available for purchase. However, there was a comforting amount of brand new gear on display as well, especially for home-studio producers. Impressive virtual instruments were prevalent, with Arturia Minimoog V 2.0, Quantum Leap Silk, MOTU BPM, Wallander Brass 1 and Sonivox Playa turning many heads to listen. For those with hardware fetishes, the Open Labs Miko LXD workstation, Korg MicroKorg XL modeling mini-synth and Native Instruments Maschine hardware/software hybrid groovebox will supply plenty of motivation for saving your pennies. But perhaps the hit of the show was the 1-2 punch from Ableton and Akai, which jointly unleased the APC40 Ableton Live controller for Live 7 and the also announced Live 8, another major update for the prolific German software company.
—Markkus Rovito, Remix

As usual, the Southern California weather was sunny and warm for NAMM week, but following a near-disasterous CES show, where this year’s attendance plummeted by some 30%, NAMM looked pretty good in comparison. True, the guest and visitor badges outnumbered walking the show floor the coveted blue “buyer” badges by about 10 to one, but those who did attend were serious about business and NAMM officials seemed genuinely relieved by the respectable turnout. As in past years, there was no single “gotta see it hit” but there were plenty of updates of existing products—such as Cubase 5, lots of other stuff that is finally shipping (such as Hagstrom's 8-string bass reissues) and lots of almost-dones, i.e., N.A.M.M.s (Not Available—Maybe Musikmesse). But one NAMM product that did floor me was a debut from a new company by Zeta Violin founder Keith McMillen (www.keithmcmillen.com), who launched the remarkable K-Bow Bluetooth Sensor Bow, a brilliant hardware/software system that takes bowed instruments well into the 21st century and beyond. Bravo, Keith!
—George Petersen, Mix

New Products
Audio-Technica ATH-M35
Audio-Technica's ATH-M35 dynamic stereo monitor headphones features a foldable design for easy storage and a rugged storage pouch. The ATH-M35’s employ a low-profile, closed-back design, providing clarity and isolation in high-volume listening situations. The headphones feature a neodymium magnet structure and have a frequency response of 20-20k Hz. The ATH-M35’s also have a lightweight and adjustable cushioned headband to provide maximum listening comfort. In addition, they feature a gold-plated stereo 1/8-inch (3.5mm) connector with strain relief and professional screw-on 1/4-inch (6.3mm) adapter, and a sturdy, ultraflexible 11-foot (3. m) cable with single-side exit. MSRP: $139.
Find out more about the ATH-M35 headphones.

EastWest Quantum Leap Symphonic Choirs, Quantum Leap RA
EastWest has added to its PLAY lineup with Quantum Leap Symphonic Choirs, a virtual instrument offering control over a choir’s words and sound, and Quantum Leap RA, a collection of rare and unique instruments from Africa, Europe, India, the Americas, Australia, the Far East, the Middle East and the Turkish Empires. Find out more information at the EastWest site.

IK Multimedia StealthPedal
The StealthPedal guitar audio interface/software controller in a compact wah-style pedal allows users to record, play and control the included “Powered By AmpliTube” software, or any other MIDI-controllable software. This USB-powered audio interface also works as a software floor controller, allowing anyone to record guitar or bass with Mac/PC at the highest possible quality, with 24-bit A/D and D/A conversion and 44.1/48kHz operation. Two separate inputs are provided for hi-Z or line-level instruments, as well as two separate outputs, plus a headphone output. Find out more information about the StealthPedal.

JBL LSR2300 Series
The LSR2300 Series studio monitor system includes the LSR2328P bi-amplified 8-inch studio monitor with 160 watts of amplification; the LSR2325P bi-amplified 5-inch studio monitor with 85W of amplification; and the LSR2310SP powered 10-inch studio subwoofer with an integrated 180Wpower amplifier. Each unit integrates JBL's Linear Spatial Reference criteria. The LSR2328P provides low-frequency extension to 37 Hz, the LSR2325P to 43 Hz and the LSR2310SP sub provides deep LF performance below 29 Hz. Find out more information about the LSR2300 Series. Watch the product demo video.

Muse Research Receptor 2
The new Receptor 2 is a high-performance, superstable dedicated hardware plug-in player that runs hundreds of virtual instruments and effects. Receptor 2 uses a single-core processor and a 250GB SATA 2 hard drive. Additionally, the new Receptor 2 has a sleek, new look with a deep-blue front panel, LCD and blue power LED. The unit's single-core AMD processor and high-speed DDR-2 RAM is similar to the previous generation’s top-of-the line, but Receptor 2 costs less with a MAP price of $1,999 U.S. The unit also includes the Plugsound BOX collection of six different virtual instruments with hundreds of presets ready to go. Find out more information about Receptor 2. Watch the product demo video.

Soundcraft Vi6, Vi4 Upgrades
Soundcraft showed 96- and 72-channel upgrades to the Vi6 and Vi4, respectively. The input-to-mix expansion is part of the new Version 3 software release. The Vi Series features an input-to-mix capacity of up to 96 channels, mapped out on 32 or 24 motorized faders for the Vi6 and Vi4, respectively. These can be assigned to 32 or 24 outputs (plus a stereo and mono mix) that can be any combination of group and aux buses. Up to 16 matrix outputs can be configured from the pool of buses. The Vi6 is available in 64 or 96 input models (the Vi4 having 48 or 72 inputs), while existing consoles can be upgraded with the purchase of an additional DSP card. The 96 channels to mix (for the Vi6) can then comprise the 64 stagebox mic/line inputs, the 16 line inputs on the local rack and the eight stereo Lexicon effects returns. The "additional" 32 inputs will be assigned to Fader Bank C on the surface. Alternatively, a second stagebox can be added to bring in mic/line inputs from the stage to all 96 input channels. Through desk patching, the inputs can also encompass the 64 MADI channels or 16 AES/EBU inputs. Further options are available for expanding the I/O to use additional remote stageboxes, or other audio formats. Find out more information about that Vi4. Find out more information about the Vi6.

Videos!
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McDSP Retro Pack
A new suite of processing plug-ins including an EQ, a compressor, and a limiter. Watch now

Steinberg Cubase 5
The latest version of Cubase features new beat-making tools, pitch editing, a convolution reverb, and more. Watch now

Arturia Brass V2
Arturia demos the latest version of its physically modeled Brass instrument collection. Watch now

SONiVOX Playa: the Hip-Hop Virtual Instrument
We check out Playa, the latest creation from SONiVOX. Watch now

Nord Electro 3
Check out the features on the latest Nord keyboards. Watch now

Drumagog Invisible Drummer
To demonstrate the capabilities of Drumagog software, the folks at WaveMachine Labs had a drummer playing with no kit into some drum mikes, and the software did the rest. Watch now

Watch more Winter NAMM videos.

Love Those Beatles
BeatleTech Now Live
Welcome to BeatleTech, where you will find Fab Four-related articles and interviews from the pages of Mix and Electronic Musician magazines, as well as exclusive video content with artists and engineers who have worked with the group. Check it out at emusician.com/ms/beatle_tech.

GET YOUR TWO CENTS IN!
Like what you read? Got an opinion to share? Our site has been updated with article commenting, letting you join in on our community by posting your comment and rating the article.

MIX NASHVILLE 2009
After an unbelievable inaugural year in ’08, we’re gearing up for another great event this year, so save the date—May 19-20, 2009! Mix Nashville includes two jam-packed days of expert panels, master classes, product demos and artist performances at Soundcheck Nashville—two days of studio, live sound, songwriting, networking, education and performance! For a taste of last year’s event, check out our exclusive video coverage on the Mix Nashville page!

LIFE IN THE FAST LANE
This collection of St.Croix’s columns was assembled during the two years following his death from cancer in May 2006. Included are many of his most-read columns, as well as personal notes, drawings and photographs. Whether you make your living playing music or recording it, you’ll relish this ride in “The Fast Lane” to revisit the art, technology and life experience that inspired Stephen St.Croix. For more information and to order the book, click here.

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