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AES 2009
Wrap-Up
Given the state of the global economy, perhaps the real
miracle about the 127th AES was that it happened at all. Sure, this show
was scaled down from past years, with no demo rooms and most exhibitors
taking much smaller booth spaces. But the spirit of innovation was alive
and well at AES. Read the show report.
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Sensaphonics Opens Custom Shop
Sensaphonics Opens Custom Shop
The Custom Shop, headed by sound engineering consultant Thom “Sound
Guy” Fiegle, offers modifications to the 3-D Active Ambient™ IEM
system, a custom in-ear system with embedded microphones to allow
musicians to hear and control the level of the sounds around them with
both earphones in place. The new Custom Shop mods, hand-wired on the 3D
mixer/amplifier’s circuit board, extend this functionality further.
Available options include a record output, the 3D-RO and a special
modification for users with unilateral hearing loss, the 3D-CROS. Read more of this article.
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Bill Keown
of Black Magic Audio
Black Magic Audio managing director Bill Keown on
providing monitor system for the Alternative Stage at this year's Leeds
Festival
The equipment set up for the stage was somewhat complicated, but [Allen
& Heath] iLive [console at monitor world] is so versatile we knew it
would cope with the responsibility. The FOH console was bused through
iLive so that when the live bands had finished each night, we could
simply switch off and case up the FOH console and mix the later DJ and
MC acts from the side stage on iLive and not have to worry about flying
beer. We maximized iLive’s I/O capacity and it didn't have any
problems handling the task. On Sunday night, we had five bands with
short, 15-minute changeovers, but iLive’s intuitive surface layout
meant we could easily manage the demanding schedule and had compliments
all round from the artists.
Read
additional live sound tips.
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From Civic
Center to Hi-Lo, Sound Engineers Are Whipping Boys, Unsung
Heroes
Whenever the stage lights go up and the band walks on
stage, all glory goes to the musicians when the show goes off without a
hitch. But when things go haywire, all eyes are directed to the man or
woman behind the mixer. Read more of this article.
U2 Sets Stage for OU Concert
The concept first wasdeveloped
in the last days of the band’s previous string of arena dates, said
Jake Berry, tour production manager for the tour. "We were all sitting
down at the load-in just before the last show, and I was there with
Willie Williams, who is the art director, the lighting designer and the
show designer, and Bono came in for the last sound check and said to the
two of us, ‘Can we play a show in the round?’” Berry said during a
Saturday tour of the stage construction. "And we looked at each other
and told him, ‘You can do anything you want.’” Read more of this article.
Entertainment in a Can: The Pepsi Center Experience
What
would you expect of acoustics in a place affectionately called "the
Can"? Whether you love or hate the Pepsi Center as a concert venue,
chances are you've experienced the good with the bad. On one hand,
you're seeing the marquee artists you love, from Madonna to Keith Urban,
Aerosmith to Fleetwood Mac, Dave Matthews to the Rolling Stones. Then
again, you're listening to music in a venue that was built primarily as
a hockey arena. It's far from perfect. Read more of this article.
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SF
MusicTech Summit Announced for December 7
The fifth SF MusicTech Summit is formally announced for
Monday, December 7, 2009 at the Hotel Kabuki in San Francisco. This
growing international music, entertainment and technology culture and
commerce conference brings together close to 700 prominent and
influential visionaries and leaders, including developers,
entrepreneurs, musicians, investors, labels, attorneys, managers,
service providers, press and organizations in an unparalleled
deal-making environment. Tickets can be ordered at www.sfmusictech.com.
Mix Remembers Les Paul
In remembrance of Les Paul, who passed away on August 13, 2009 in White
Plains, N.Y., the editors of Mix created a special page featuring
videos and podcasts, including podcasts with Stevie Wonder and Steve
Miller. Click here to visit Mix magazine's special Les
Paul tribute page.
Get Listed for Free in the 2009 Mix Master Directory
The MMD is the audio industry's premier listing of
professional services! Get listed for free in this essential
guide!
Coverage of the Fab Four from Mix and Electronic
Musician
Welcome to BeatleTech, where you will find Fab Four-related articles and
interviews from the pages of Mix and Electronic Musician
magazines, as well as exclusive video content with artists and engineers
who have worked with The Beatles. Check Out
the BeatleTech Site!
Get Your Two Cents In!
Like what you read? Got an opinion to share? Our site has been updated
with article commenting, letting you join in on our community by posting
your comment and rating the article.
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The EX-007 is designed to increase the number of available faders and
number of channels controllable at any one time on an SD7, and from a
distance of up to 100 meters via a Cat-5 cable connection. It is
possible to augment an SD7 with two EX-007s, each acting as control
panel to provide 24 faders and two additional touch screens, as well as
metering and other standard functions, transforming the SD7 into a
100-fader mixing console. The EX-007 networks to the SD7, has its own
power supply and its own PC. 