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October 8, 2005 |
A PRIMEDIA Property |
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TEC
Awards Winners
Lots of
Cool Gear From the Show Floor
Check Out
Who Stopped by to Blog With Mix
Notes From the Editors
TEC Awards
Winners
Day Two at AES wrapped up with the 21st Annual TEC
Awards, at the Marriott Marquis in Midtown. The show opened with
masterful emcee Will Lee doing a hilarous sendup of That's Engineering,
all about mic placement. The show was magnificent, highlighted by Ahmet
Ertegun's heartfelt, funny, warm, gracious tribute to his friend Arif
Mardin. Then Arif came out and told some stories, looked around the room
and thanked many of his friends and colleagues, and received his second
standing ovation of the evening.
Wait! Forgot to mention that the whole tribute started with Chaka
Kahn serenading Arif with a beautiful rendition of Through the Fire. Now
that's a voice! Later in the show, Laurie Anderson came on stage to
accept the Les Paul Award on behalf of David Byrne, handed out by the
legend himself, Mr. Paul. And yes, Les did inject his usual humor, at
one point grabbing the handcrafted Gibson Les Paul and trying to take it
for himself. Thanks to all the sponsors for making it possible. Scroll
down for some product highlights from the show floor. And without
further ado, the TEC winners:
Studio Design: Jazz at Lincoln Center
TV Sound: 24
Film Sound: Ray
Remote Production: ERic Clapton's Crossroads Guitar
Festival
Tour Sound: U2 Vertigo Tour
Surround Sound: Crossroads Guitar Festival DVD
Record Production/Single: American Idiot, Green Day
Record Production/Album: Genius Loves Company, Ray
Charles
Ancillary Equipment: Mackie Big Knob
Digital Converter: Apogee Rosetta 200
Amplifier: Crown Commercial Audio Series
Mic Preamp: Focusrite The Liquid Channel
Mic Technology/Sound Reinforcement: Sennheiser e900 Series
Backline Mics
Mic Technology/Studio: AKGC414B-XLS/C414B-XLII
Wireless Technology: Shure SLX Series
SR Loudspeaker: JBL VerTec VT4888DP
Studio Monitor: Genelec 8050A
Musical Instrument: Tascam GigaStudio 3
Signal Processing/Hardware: TC Electronic Mastering 6000
Signal Processing/Software: Waves L3 Maximizer
Workstation Technology: Digidesign Pro Tools 6.7
Sound Reinforcement Console: Yamaha PM5D
Small Format Console: Mackie Onyx 1640
Large Format Console: SSL AWS 900
Next year the TEC Awards will be in San Francisco on the second night
of the AES convention. Buy your tickets early...it was a packed house
last night!
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 Twenty years ago, one company had the
imagination to change the rules of digital audio forever. Eleven tech
awards and countless innovations later, this same company continues to
lead the way in advancing the art of sound for musicians, producers and
engineers around the world. Happy anniversary, Apogee from your friends
at Mix, and thanks!
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AES PRODUCTS
Lots of Cool
Gear From the Show Floor
EAW Digital Touring Console At a press
conference opening the AES show, EAW announced the UMX.96 -- a 24-bit,
96kHz digital live console with expandable onboard 56x44 analog I/O,
3x12 integrated system processor, the first full integration of
SmaartLive™ and a unique tactile rotary encoder with intuitive
user interface -- all for a projected list price of less than $50,000.
MORE
SSL C300 Digital Console SSL's new-generation digital
console is designed for the full spectrum of film and post applications.
The C300 is a compact, assignable console, for fast and efficient
sweetening and mix creation. MORE
ATC PA65ASL Live Sound Loudspeakers ATC's high-end studio
monitor performance comes to the live sound environment. Distributed in
the United States by the Transamerica Audio Group, the PA65ASL is an
active 3three-way system suitable for live sound reinforcement in
medium-sized rooms, with a 234mm Super Linear bass driver and ATC's
unique SM75-150S soft-dome midrange driver. MORE
Royer R-122V Tube Ribbon Mic After years of development and
testing, Royer unveils its first vacuum tube ribbon mic at AES. Based on
the same ribbon transducer technology as the acclaimed R-121 and R-122,
the R-122V uses a triode-driven circuit to raise the mic's sensitivity
to -29 dB. MORE
JBL LSR4300 JBL Professional unveils its LSR4300 Series
studio monitors, which feature stunning sound and networked
intelligence. Each speaker incorporates an onboard analyzer that
measures and automatically corrects response to compensate for problems
in the mix environment. The result is more accurate mixes in any room.
MORE
CEDAR Tools for Pro Tools CEDAR Audio launches a major
suite of new processes for Pro Tools PC, starting with Retouch, Declip
and Auto-Dehiss. These processes, derived from the latest CEDAR
Cambridge workstation, are uncompromising in their ability to rescue
performances, save location shots and restore archive and library
recordings. MORE
Rupert Neve Designs Portico 5042 Tape Emulator and Line
Driver The Portico 5042 provides a remarkable simulation of true
tape sound through the inclusion of genuine tape drive circuitry. The
5042's 2-channel "True Tape" and line driver's tape-emulation circuit
provides the nostalgic rounding and compression usually only achieved by
the use of actual tape. This effectively offsets the harshness often
found in digital recordings. MORE
Shure UHF-R Wireless UHF-R, Shure's new flagship wireless
system for live performance, offers fast, automated setup; real-time
system tweaking over network control; and 2,400 selectable frequencies
over a wide 60MHz bandwidth, providing up to 40 simultaneous compatible
systems per band. MORE
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Neutrik's new OpticalCon fiber optic connector establishes Neutrik as
one of the world's foremost innovators of connector products. A
ruggedized LC fiber optic connector carrier system, the OpticalCon is
available preterminated on spools. Single mode, multimode, and single
mode APC versions are available, along with four copper contacts for
power or data signals. A feed-through chassis connector permits the use
of standard LC patch cords or the OpticalCon ruggedized connector.
Quality, at the speed of light. www.neutrikusa.com
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AES BLOGGERS
Check Out Who
Stopped by to Blog With Mix
Ted Richardson, Studio Network Solutions: I'm
relatively new to SNS and this is my first time at an AES expo. I have
to say that I'm very impressed by the number of existing SNS customers
who make a point of coming by the booth simply to tell us how well their
storage solution works. Interestingly all of these conversations have a
common thread. Everyone talks about how upgrading their studios with a
high-quality storage area network has made their lives better by taking
away the hassles of running around with a bunch of consumer-quality
firewire drives.
Mark Salamone, Barber Shop Studios: The studio has been quite
busy since our grand opening on June 3rd. At the moment Jason Corsaro,
Ben Elliot, Carl Nappa, Tony Black, Rick Slater and our own cheif
engineer Greg Price have been filling the rooms with tracking and mixing
projects. Our Dreammakersmp3.com website is doing incredible. We just
inlisted over 25 bands at the Dewey Beach Music Festival (thanks Rick).
If you haven't seen our site, it's a must see... A place where artist
can show their music and art and be exposed to top industry
professionals. Growing at the speed of light, Dreammakersmp3 is great
site for all to visit and listen to some amazing new talent.
Greg Ladanyi: I've just been told by Mr. Bonzai that I'm in
his new book. Havin' a ball at the AES show in New York. Lots of cool
things here this year. Lots of cool people. Check out the Groove Tubes
Glory Comp compressor, Vipre mic pre and then go to PreSonus and look at
the ADL600 -- it rocks!
Bob Clearmountain: Hiya kids.
Never blogged before so bear with me!
It's great to be back in NY. Last night was Apogee's 20th birthday bash
I'm a bit hung over and my throat really hurts from shouting over the
disco music all night. Typing doesn't seem too painful.
It's nice that this show (AES) still exists, as a good portion of the
record bus. seems to have been sucked down the internet. I'm doing a
little "lecture" tomorrow aft. and that will be one of the topics - the
good and bad effects of the Internet on the recording/mixing business.
If you show up, I'd love to here your opinions on that and other topics.
Its at 5 pm (don't actually know where, but I'm sure I'll find it.)
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