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Violet Audio had an answer for studios looking for an AV
audio solution. The ADP61 preamp/decoder allows monitoring and decoding
for all signals from stereo to 6.1 surround audio. It offers XLR outs
and an infra-red remote control for quick switching between multiple
sources like CD and video players, DVD player/recorders, or TV systems.
Decoding is provided for digitally connected devices compatible with
Dolby Digital, Dolby Digital Surround EX, DTS, DTS ES, DTS ES Matrix,
DTS 96/24, DTS Neo, and more. The price is $1,199.
A mic of a different color came from the Violet Design booth
(no relation). The Wedge cardioid condenser offers Class A fully
discrete transformerless circuit, gold plated XLR pins, a red body and a
sleek looking housing for the capsule.
SLS was showing a bi-amped high output loudspeaker. The 2806H
goes for $2375 and features a planar ribbon transducer mounted on an 80
degree waveguide to match the dispersion of the midrange at crossover.
Sony's ECM-957PRO one-point stereo mic was turning heads,
mostly because of its turning capsule. The M/S mic features two
elements, one which can be rotated to make the mic either front or side
address and changing the directivity from 90 to 12 degrees. The built in
M/S decoder and AA battery assures this will be a popular item for field
recording. It goes for $449.95.
Burl unveiled the B2 Bomber Analog to Digital converter. It
operates up to 192kHz and features one word clock in and two outs, high
def metering, AES dual or single wire operation, S/PDIF out and is Class
A all the way. It goes for $3999. --Kevin Becka, Mix magazine
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 POD(R) X3 is essential for recording
guitar, bass and vocals. This full-featured, easy to use USB 2.0-based
multi-channel digital recording interface offers unmatched sonic
flexibility. Record two instruments or microphones simultaneously -- or
record two separate tracks from one signal -- and send ultra-clear audio
to your DAW with the S/PDIF stereo digital out. For more information,
visit Line 6
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The Arturia Analog Factory Experience Get inside
Arturia's analog factory experience, straight from the showfloor at
Winter NAMM 2008! MOREMoog Music Voyager Old School
Synthesizer It's back to basics with this new analog synthesizer
from Moog Music, which brings its Voyager product line to a more
affordable price point by eliminating presets and memories. Tweak those
knobs! MORE
Euphonix Artist Series Controllers Euphonix provides an
advanced look at the company's affordable new Artist Series MC line of
products for DAW control. MORE
Lectrosonics/Heil Sound UTPR20 Wireless Mic Live sound
pioneer/inventor Bob Heil and Karl Winkler from Lectrosonics offer a
sneak preview of the company's new collaboration, creating a wireless
system with a Heil PR20 dynamic mic capsule. MORE
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The DAC1 PRE stereo playback preamplifier is designed to interface
directly with digital media devices, as well as interface with
traditional analog sources. Features of include four digital inputs, a
USB computer input, a stereo analog input, two stereo analog outputs,
two headphone outputs and a true analog master volume control;
proprietary features include the company's jitter-immune UltraLock clock
system, HPA2 0-ohm headphone amplifier, AdvancedUSB 24-bit native USB
computer audio interface and DAC1 conversion system. NAMM Booth
#1671. www.dac1pre.com
SSL Pro-Convert Solid State Logic's Pro-Convert, the
digital audio project translator application for moving sessions from
one DAW environment to another, is now shipping worldwide. Features
include compatibility with more than 40 apps, converts to/from Pro Tools
7.x, Audio Tool audio file-format batch converter, frame-accurate offset
feature, "housekeeping" features, fade-curve translation control,
pan/volume automation curve conversion, track markers and PQ data,
search-and-replace missing audio file functions and rapid offline
conversion process. NAMM Booth #6907, Hall A www.solid-state-logic.com
Steinberg SDK for VST3 Steinberg released the Software
Development Kit (SDK) for VST3, the latest generation of its VST
platform, and is already implemented in Cubase and Nuendo. Features
include unique silence detection feature that automatically switches off
the plug-in if no audio signal is being received; plug-ins are fully
surround-capable, and
can be configured to receive from and output to any I/O configuration,
including any surround format; output buses can be reassigned at any
time; sample-accurate automation; resizable editing windows; VSTXML for
remote controllers; and more. www.steinberg.net
Digidesign Mix Rack Mix Rack is a new hardware option for
the Digidesign VENUE systems that combines all stage, local audio I/O
and DSP processing into a single, compact 11-space rack, and is fully
compatible with both D-Show and D-Show Profile. The base configuration
comes with two Mix Engine cards (expandable to three for additional TDM
plug-in processing), D-Show 2.7 software, VENUEPack 3 plug-in bundle, a
built-in ECx Ethernet port for remote control and a full complement of
primary and ancillary audio I/O (analog XLR mic/line ins, XLR line outs,
TRS line-level, 2-track analog and digital I/Os, 1x1 MIDI I/O, word
clock I/O, com/aux input). A modular card slot system allows users to
choose from a selection of analog or digital outputs and Aviom A-Net
personal monitoring options. Mix Rack supports full integration with Pro
Tools via an optional HDx or FWx interface card, allowing recording and
playback of up to 64 tracks with Pro Tools HD or 18 tracks with Pro
Tools LE, respectively. Mix Rack is planned for release in the first
quarter of 2008 as part of the D-Show Profile Mix Rack System. NAMM
Booth #6606 www.digidesign.com
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METAlliance today announced a Pro Partner program, inviting
professional audio manufacturers to join the founding Board of Directors
in recognizing quality and high-resolution in the recording arts. The
first group of manufacturers, Audio-Technica, Cakewalk, GML, JBL Pro,
Lexicon, Manley Labs, Millennia Media, Royer Labs, Sanken and Universal
Audio, have joined METAlliance founding members Ed Cherney, Frank
Filipetti, George Massenburg, Phil Ramone, Elliot Scheiner and Al
Schmitt to recognize the call for quality in the recording arts. "We're
living in an era where formats are reduced in resolution,"Frank
Filipetti said. "There are high-res formats in video and film, but we're
going backwards in audio." MORE
Tell plosives to hiss off with Sonnox Oxford SuprEsser
plug-in Sonnox has introduced its first plug-in since becoming an
independent company in April 2007. With the new SuprEsser plug-in, it is
attempting to fill the void of a professional quality de-esser in
plug-in form. The highly featured SuprEsser includes a Simple mode for
fast fixes, but also effectively doubles as a linear phase dynamic EQ
when used in Advanced mode. Employing three listening modes and an
intuitive visual waveform display, users can locate the problem
frequencies quickly. MORE
MSR Adds to Studio Acoustics Well, we're in the midst of
day 3 here at Winter NAMM and just got back from the MSR booth -- way
down in Hall E among the majority of the musical instruments -- and
they've got some exciting innovations coming. In addition to their
complete line of acoustical products for the brick-and-mortar studios,
MSR also takes a tiered approach to working with studio owners -- from
mobile units to the project studio in your house -- developing three
separate lines of acoustical materials based on the studio owner's
space, project and needs. MORE
Sunrise Surprise At NAMM today the most exciting thing I
saw and heard was a synthesizer called the Solaris. It's a
work-in-progress by veteran synth and sound designer John Bowen. What
began as a soft-synth project outgrew the confines of John's computer,
so he brought it to life as a living, breathing (okay, not really)
keyboard instrument with lots of knobs and big, bright displays. It uses
a variety of synthesis algorithms, from sample playback to FM to
wavetable and more, and it gives you eight envelopes, five LFOs, and
more types of filters than you ever imagined you might need. And the
sound! It's a beautiful thing, and it will be April (or so) when John
hopes to begin shipping the Solaris. I don't know about you, but I can't
wait! But don't take my word for it; head on over to www.johnbowen.com/solaris.html and hear what I mean.
MORE
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